A DERBY (DUESBURY & KEAN) YELLOW-GROUND CABARET
A DERBY (DUESBURY & KEAN) YELLOW-GROUND CABARET

CIRCA 1800, BLUE CROWN, CROSSED BATONS AND D MARKS, ATTRIBUTED TO JOHN BREWER

Details
A DERBY (DUESBURY & KEAN) YELLOW-GROUND CABARET
Circa 1800, blue crown, crossed batons and D marks, attributed to John Brewer
Finely painted with alternate circular and oval panels of wild and domestic animals in landscapes and butterflies in flight reserved within chased gilt bands on the bright yellow ground, the rims gilt with trailing flowers, comprising:
A quatrefoil two-handled tray, painted with a hound and a setter, sheep, a Red Admiral butterfly and other fanciful butterflies, 5in. (38.6cm.) long
An oval tea-pot and cover, painted with three dogs playing, a stag, a Buck-Eye Moth, a Ranchman's Tiger Moth, and other fanciful moths, 3in. (8.3cm.) high
A cream-jug, painted with a hound, sheep, ladybugs, and fanciful butterflies, 4in. (11.4cm.) high
A sugar-bowl and cover, the cover painted with a goat, a stag, a housefly, and a beetle wasp, the bowl with setters and fanciful butterflies, 5in. (14cm.) high
Two cups and saucers, all painted with fanciful moths, one cup painted with a mayfly, a mule, and a sheep, the other painted with a greyhound, and a mountain goat, one saucer painted with a Western-Tailed Blue moth, a bull, a donkey and a cat, the other with a Diana butterfly, a rabbit, mountain goat, and stag, 5in. (14cm.) diameter, the saucer
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Lot Essay

The present cabaret is identical in form, ground colour and painted by the same hand as that sold anonymously at Christie's, London, 22 November 1971 and illustrated by John Twitchett, Derby Porcelain, Lodnon, 1980, fig. 222. At the time, the painting was attributed to 'Jockey' Hill. The central scenes on both trays are virtually identical as are the reserves of butterflies. However, the views of animals in landscapes found on the present cabaret are replaced by birds on branches in the example sold in 1971.
Such small sets, also known as a Djeuner or tte--tte, are more commonly found in Continental rather than English porcelain. However, given that production at the Derby factory focused on copying the production of Svres porcelain so fashionable in England at the turn of the 18th century, it is understandable that this form of presentation was also copied. Extant complete sets are rare. Those which are known tend to be on either a pink or yellow ground and decorated with landscapes often attributed to Zachariah Boreman or 'Jockey' Hill.

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