拍品專文
An Imperial quality enamel-on-copper vase of this kind shows very clearly the interest in foreign peoples at the highest level of Chinese court society, and also the way in which the Imperial workshop painters were able to turn their hands to copying specifically Western prints or painting sources onto vessels sent to them for decoration. The fineness of the painting as well as the subject of women and young children in landscape settings with Western-inspired buildings in the background within a foliate reserve is typical of these types of small wares, which includes a small vase of zhadou shape, illustrated in the Catalogue of a Special Exhibition of Qing Dynasty Painted Enamels, Taipei, 1979, no. 139. See, also, those included in the Special Exhibition of Ch'ing Enamelled Porcelains of the Imperial Ateliers, Taipei, 1992, nos. 131, 135 and 144.