A PAIR OF ITALIAN NEOCLASSIC STYLE PATINATED BRONZE TORCHERES
A PAIR OF ITALIAN NEOCLASSIC STYLE PATINATED BRONZE TORCHERES

AFTER THE ANTIQUE, LATE 19TH/EARLY 20TH CENTURY

Details
A PAIR OF ITALIAN NEOCLASSIC STYLE PATINATED BRONZE TORCHERES
After the Antique, Late 19th/Early 20th Century
Each tapering fluted stem surmounted by a molded urn-shaped top section, on three splayed monopodia with palmette decoration and a later inswept marbellized tri-partite base with pad feet, electrified
52¾in. (134cm.) height without base, 56½in. (142.5cm.) height with base (2)

Lot Essay

Patterns for related bronze candelabra with lion monopodia tripods were published in Henry Moses, A Collection of Antique Vases, Altars, Paterae, Tripods, Candelabra, Sarcophagi, London, 1814, plates 83-86. This fashion was popularised in the early 19th Century by bronze-founders, such as Benjamin Vulliamy (d.1821) and Benjamin Lewis Vulliamy (d.1854), who earned the epithet 'Furniture man' to George, Prince of Wales and later King George IV (R. Smith, 'Vulliamy and the Kinnaird candelabra', Apollo, January 1997, pp.30-34). Messenger and Sons of Birmingham and London illustrated a related stand in their 1830's trade-card stating that they were 'Manufacturers of Chandeliers, Tripods and Lamps of every description in Bronze and Ormolu' (C. Gilbert and A. Wells-Cole, The Fashionable Fire Place, Temple Newsam, 1985, fig. 95). Such Roman Tripods were intended to support colza-oil vase candelabra.

Pairs of related torcheres were sold anonymously, Christie's London, 9 July 1998, lot 4 (£27,600) and Christie's New York 21 October 1999, lot 286 ($55,000).

More from Continental Furniture, Tapestries, Works of Art and Carpets

View All
View All