Lot Essay
Two French old labels on the mount.
Cf. M. Comstock and C. Vermeule, Greek, Etruscan and Roman Bronzes, The Museum of Fine Arts, Boston, 1971, pp. 66-67, no. 67 and p.489, no. 100A where the iconography of the Dionysos-Ampelos group is referred to in P. Amandry, Collection Hélène Stathatos: Les Bijoux antiques, Strasbourg, 1953, pp. 91ff., no. 232, pl. 35, figs. 51-58; also see, E. D. Reeder, Hellenistic Art in the Walters Art Gallery, Baltimore, 1988, p. 155, no. 65 for a similar bronze of Dionysos.
Cf. M. Comstock and C. Vermeule, Greek, Etruscan and Roman Bronzes, The Museum of Fine Arts, Boston, 1971, pp. 66-67, no. 67 and p.489, no. 100A where the iconography of the Dionysos-Ampelos group is referred to in P. Amandry, Collection Hélène Stathatos: Les Bijoux antiques, Strasbourg, 1953, pp. 91ff., no. 232, pl. 35, figs. 51-58; also see, E. D. Reeder, Hellenistic Art in the Walters Art Gallery, Baltimore, 1988, p. 155, no. 65 for a similar bronze of Dionysos.