Attributed to Jan Jacobsz. Doudijn (active in Dordrecht circa 1560-1585)
Attributed to Jan Jacobsz. Doudijn (active in Dordrecht circa 1560-1585)

Portrait of Dirck van Nuyssenborgh (?-1566), half length, wearing black costume with black cape, lace shirt and hat, holding a sword; and Portrait of Margaretha van Nuyssenborgh, née van der Merwede, Vrouwe van Zuydewijn-Capelle (1525-1593), half length, wearing a red silk dress, lace chemise, black bodice and fur wrap, and a gold chain around her waist

Details
Attributed to Jan Jacobsz. Doudijn (active in Dordrecht circa 1560-1585)
Portrait of Dirck van Nuyssenborgh (?-1566), half length, wearing black costume with black cape, lace shirt and hat, holding a sword; and Portrait of Margaretha van Nuyssenborgh, née van der Merwede, Vrouwe van Zuydewijn-Capelle (1525-1593), half length, wearing a red silk dress, lace chemise, black bodice and fur wrap, and a gold chain around her waist
oil on panel
63.8 x 53.6 cm and smaller
both inscribed with the sitters' coats-of-arms (the first upper left and the second upper right); the second inscribed on a label on the reverse (2)
Provenance
From the sitters by descent to Catharina Wilhelmina Josephina de Roy, née Montens, Vrouwe van Zuydewijn-Capelle (1760-1821); thence by descent to her granddaughter Caroline Sophie Eugénie de Bruyn, née de Roy van Zuydewijn (1831-1914); thence by descent to her daughter Marie Arnoldine Henriette Catherine, née de Bruyn (1856-1932), grandmother of the present owner.
Exhibited
Dordrecht, Dordrechts Museum, Vijf Aanwinsten, Bruiklenen en Aankopen, December 1960.

Lot Essay

The present unpublished works are rare examples of early Dutch 16th Century portraiture and have never been offered on the market before, as they have remained in the family, since their execution. They were probably painted on the occasion of the sitters' marriage in 1544, as Margaretha van der Merwede is likely to be 19 years old. Her husband Dirk van Nuyssenborgh was member of the Dordrecht city council and treasurer. As the sitters were citizens of Dordrecht, Jan Jacobsz. Doudijn, active from at least 1560-1585, may have executed these portraits. For more information on the artist, whose style suggests a training in Antwerp, A. Staring, 'Jan Jacobsz. Doudijn Portretschilder te Dordrecht', Nederlands Kunsthistorisch Jaarboek, XIV, 1963, pp.61/82, and G.J. Hoogewerff, De Noord-Nederlandsche Schilderkunst, IV, 1941/2, pp.600/1.

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