![Chronophotographe no. 1 [sic]](https://www.christies.com/img/LotImages/2000/CSK/2000_CSK_08700_0156_000(010332).jpg?w=1)
Details
Chronophotographe no. 1 [sic]
G. Demeny, Paris; 60mm., the wood-casing with black-lacquered metal fittings, side door giving access to gears, top door giving access to upper film magazine, side door giving access to mechanism and lower film magazine, with hand-crank, two wood film magazines, a brass bound 60mm. lens, a brass bound Maximus No. 1 lens, and metal plate Chronophotographe G. Demeny. Breveté SGDG. Le Comptoir Général de Photographie, 50 Rue Saint Roch 57. N. 1 Paris
G. Demeny, Paris; 60mm., the wood-casing with black-lacquered metal fittings, side door giving access to gears, top door giving access to upper film magazine, side door giving access to mechanism and lower film magazine, with hand-crank, two wood film magazines, a brass bound 60mm. lens, a brass bound Maximus No. 1 lens, and metal plate Chronophotographe G. Demeny. Breveté SGDG. Le Comptoir Général de Photographie, 50 Rue Saint Roch 57. N. 1 Paris
Literature
Brian Coe (1981), The History of Movie Photography, p. 77.
John Barnes (1992), Filming the Boer War, p. 127.
c.f. Pete Ariel (1989), Ariel Cinematographica Register, no. 944. c.f. Michel Auer & Michèle Ory (1979), Histoire de la caméra ciné amateur, p. 56-58.
John Barnes (1992), Filming the Boer War, p. 127.
c.f. Pete Ariel (1989), Ariel Cinematographica Register, no. 944. c.f. Michel Auer & Michèle Ory (1979), Histoire de la caméra ciné amateur, p. 56-58.