A DUTCH SATINWOOD,MAHOGANY, HAREWOOD AND MARQUETRY BUFFET
A DUTCH SATINWOOD,MAHOGANY, HAREWOOD AND MARQUETRY BUFFET

LATE 18TH CENTURY

Details
A DUTCH SATINWOOD,MAHOGANY, HAREWOOD AND MARQUETRY BUFFET
Late 18th Century
Crossbanded overall, the eared rectangular white-veined grey marble top above a foliate edge and two drawers with simulated panels inlaid with floral trails, above a pair of doors each centered by a verre eglomisé panel decorated with a flaming torch and scrolling acanthus, enclosing a plain interior with one shelf, between conforming canted panelled angles with simulated fluting, the sides with slides, the sides with slides, on short tapering square legs inlaid with foliate trails terminating in toupie feet, the marble top broken, minor restorations
37¼ in. (94½ cm.) high; 49¾ in. (126 cm.) wide; 24½ in. (62½ cm.) deep

Lot Essay

During the last phase of Dutch marquetry furniture, between circa 1780 and 1795, a new type of decoration was developed, with a distinctive preference for light woods, which harmonised with the simple classical geometric motifs. This type of marquetry relates to that on marquetry furniture produced in England in the same period and was probably also inspired by the printed furniture designs by Hepplewhite and Sheraton, which were published in 1788 and 1794 respectively.

A considerable number of Dutch marquetry secretaires, encoignures and commodes dating from this period are enriched with panels of Japanese, Chinese or imitation lacquer panels, creating a contrasting effect between the light veneers and the black lacquer panels. The present buffet is enriched with black-and gilt-decorated verre eglomisé panels in the doors and in the angles instead of of lacquer, achieving a similar striking effect. This form of decoration is much rarer than the latter, and is often used for the decoration of the pediment and bases of Dutch Louis XVI barometers.

A closely related low cabinet was sold anonymously at Christie's Amsterdam, 24 February 1999, lot 243

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