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Lot Essay
In 1920 Mondrian, who had a studio on the rue des Départ in Paris, wrote a pamphlet in French titled Neo-Plasticism in order to explain the goals of the Dutch De Stijl movement. The abstract grid had become the foundation of his pictorial style. Unfortunately, Mondrian's collectors were unwilling to follow the artist into the austere and rarified environment of Neo-Plasticism, and without sales Mondrian suffered from an acute lact of income in the early 1920s. An exhibition of new work at Léonce Rosenberg's Galerie L'Effort Modern in 1923 was a failure.
However, the dealer Simon Maris continued to sell the artist's early naturalistic works in Holland. Interest in them grew, and there was a strong demand for his studies of flowers. Mondrian began to paint more flowers in 1920, which his friends could sell for 30 or 40 florins apiece. He stopped painting them in 1925.
Ironically, those who remember his Paris studio say he kept no flowers apart from a single artificial tulip in a round vase. Although the treatment in the flower studies is naturalistic, these works retain strong overtones of symbolism.
However, the dealer Simon Maris continued to sell the artist's early naturalistic works in Holland. Interest in them grew, and there was a strong demand for his studies of flowers. Mondrian began to paint more flowers in 1920, which his friends could sell for 30 or 40 florins apiece. He stopped painting them in 1925.
Ironically, those who remember his Paris studio say he kept no flowers apart from a single artificial tulip in a round vase. Although the treatment in the flower studies is naturalistic, these works retain strong overtones of symbolism.