A REGENCY ORMOLU AND CUT-GLASS CHANDELIER

Details
A REGENCY ORMOLU AND CUT-GLASS CHANDELIER
With two tiers of hanging droplets and spear-shaped drops each from a pierced Gothic circular support, the whole centred by an urn decorated with oak leaves and acorns and with a flaming finial, with pinched socle and base issuing four later light branches, with a foliate corona, lacking some drops and droplets, reduced in height, originally made for oil and now adapted for electricty
19¼ in. (49 cm.) diam.
Provenance
Almost certainly supplied to George Wilbraham (d. 1852) for Delamere House, Cheshire.
Thence by descent in the Wilbraham Family, latterly of Sweet Briar Hall, Cheshire.

Lot Essay

The brass chandelier's oak-wreathed and flame-finialed urn for colza-oil is displayed between coronas that are tasseled with glass 'icicle and spangled' drops and crowned with pointed and cusped arches in the Gothic style popularised during the Regency of King George IV by R. Ackermann's Repository of Arts, issued from 1809. A chandelier of this form, with glass-globed lamps rising above the large corona, was supplied by the London glass and chandelier manufacturers Messrs. Hancock and Shepherd in 1819 for the dining-room designed by the architect William Porden for Eaton Hall, Cheshire (G. Acloque and J. Cornforth, 'The Eternal Gothic of Eaton - II', Country Life, 18 February 1971, fig. 5). This chandelier is likely to have been commissioned by George Wilbraham (d. 1852) shortly after his inheritance of Delamere House, Cheshire in 1813.

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