Odilon Redon (1840-1916)
Odilon Redon (1840-1916)

Rue à Fontarabie

Details
Odilon Redon (1840-1916)
Rue à Fontarabie
signed 'ODILON REDON' (lower right)
oil on canvas
20½ x 18.1/8 in. (52 x 46 cm.)
Provenance
Jacques Dubourg, Paris.
S. Fukushima, Tokyo.
Literature
K. Berger, Odilon Redon, Fantasy and Colour, New York, 1965, p. 182, no. 4a.
Bijutsu-Techo, January 1968, p. 167 (illustrated).
M. Kuroe, "Odilon Redon dans les collections japonaises," Bulletin annuel du Musée National d'Art Occidental, Tokyo, 1969, no. 21 (illustrated, p. 22).
J.-F. Moueix, Gabriel Frizeau, Bordeaux, 1969, vol. II, p. 69.
A. Wildenstein, Odilon Redon, Catalogue raisonné de l'oeuvre peint et dessiné, Paris, 1996, vol. III, p. 277, no. 1834 (illustrated).
Exhibited
(possibly) Winterthur, Kunstmuseum, Ausstellung Odilon Redon, June-July 1919, p. 12, no. 211.
Kamakura, Kanagawa Museum of Modern Art, and Nagoya, Aichi Departmental Museum, Exposition d'Odilon Redon, September-November 1973, p. 31, no. 4 (illustrated in color).
Gifu, The Museum of Fine Arts; Kumamoto, Prefectural Museum of Art, and Hiroshima, Prefectural Museum of Art, Odilon Redon, recontres et résonances, October 1985-January 1986, p. 223, no. 114 (illustrated in color, p. 117).

Lot Essay

Fontarabie, also known as Fuenterrabia, was a small village in the Spanish Basque region in the province of Guipùzcoa. Its name meant "river made of sand." Redon visited the village on three occasions in 1861, 1878 and 1900. During the time of his visits the region was considered unspoiled by industrialism and attracted artists who were drawn there by its exotic character and unique language and customs. Redon wrote a fictionalized account of his travels in the Basque region which he titled Un séjour dans le pays Basque. Redon was haunted by his recollections and his paintings convey the depth of his personal identification with the region. The present painting is a poignant testament to the conflicting issues that Redon struggled to reconcile throughout his life: the delight he took in the environs themselves and the deeply felt loneliness and isolation that they evoked within him.

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