拍品专文
"In 1966, at the age of twenty-six, Tony Da moved to live with his grandmother, Maria Martinez and his great aunt, Clara Montoya. Tony had as his role models the premier pottery maker and one of the finest pottery polishers. His father, Popovi Da, was considered the great experimenter....Tony Da pushed farther...[his] famous duotone pottery bear fetishes were wrapped and inlayed with channel beading. He added a thin incised zigzag like a lightning bolt, tiny turquoise eyes and turquoise cabochons on the back of the bear," (Schaaf, 2000, p. 169).