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细节
TERENTIUS AFER, Publius. Comoediae. - Directorio vocabulorum. Gloss and commentary by Aelius Donatus, Guido Juvenalis, and Jodocus Badius Ascensius. - Vita Terentii. Strassburg: Johann (Reinhard) Grüninger, 1 November 1496.
Super-chancery 2° (291 x 200mm). Collation: a6 b8 d-z6 A-E6 F8 (a1r title with full-page woodcut, a1v blank, a2r Directorio vocabulorum, a5v epitaph of Terence, a6r Vita, excerpted from Petrarca, a6v full-page woodcut, b1r text, F7v colophon, F8 blank). 179 (of 180, without final blank) leaves. Text with commentary surround, 73 lines of commentary and headline. Type: 17:145 (title, headlines, etc.), 22:89 (title, text), 23:64b (commentary), 4:48 (point letters). 165 woodcuts, of which 8 are full-page, large woodcut ornamental initial opening the Life, initial spaces with guide-letter. (Some worming, a few marginal repairs, lightly browned, light dampstain in final 2 leaves.) 20th-century flexible vellum with yapp edges, author's name in gilt on flat spine, gilt edges. Provenance: occasional early annotations; stamp removed from title.
SECOND ILLUSTRATED EDITION, THE FIRST GRüNINGER EDITION. It is illustrated with a remarkable series of woodcuts which begin with a full-page illustration of a theatre, showing the actors on stage and spectators on two levels. The series is dependant on that of Trechsel's Lyons edition of 1493, but Grüninger's edition marks a stylistic shift in German book illustration, particularly in representing tone and dimensionality. New to this edition are the full-page woodcuts opening each play which depict the dramatis personae set within a land- or cityscape. The woodcut artist apparently was familiar with the unfinished Terence-series by Dürer, made about 1491-2 (Winkler, Narrenschiff p.67). Grüninger re-used his series in a 1499 edition, and it was copied by Vérard for his edition of about 1500. (Cf. M. Chévre, 'Imitations et Originalité quelques Illustrations de Terence du XVème au XVIème Siècle,' Gutenberg-Jahrbuch, 1961, pp. 207-214.) HC *15431; BMC I, 110 (IB. 1437); Goff T-94; Schreiber 5331; Schramm XX, p.22.
Super-chancery 2° (291 x 200mm). Collation: a
SECOND ILLUSTRATED EDITION, THE FIRST GRüNINGER EDITION. It is illustrated with a remarkable series of woodcuts which begin with a full-page illustration of a theatre, showing the actors on stage and spectators on two levels. The series is dependant on that of Trechsel's Lyons edition of 1493, but Grüninger's edition marks a stylistic shift in German book illustration, particularly in representing tone and dimensionality. New to this edition are the full-page woodcuts opening each play which depict the dramatis personae set within a land- or cityscape. The woodcut artist apparently was familiar with the unfinished Terence-series by Dürer, made about 1491-2 (Winkler, Narrenschiff p.67). Grüninger re-used his series in a 1499 edition, and it was copied by Vérard for his edition of about 1500. (Cf. M. Chévre, 'Imitations et Originalité quelques Illustrations de Terence du XVème au XVIème Siècle,' Gutenberg-Jahrbuch, 1961, pp. 207-214.) HC *15431; BMC I, 110 (IB. 1437); Goff T-94; Schreiber 5331; Schramm XX, p.22.
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