Fernand Léger (1881-1955)
Fernand Léger (1881-1955)

Composition sur fond bleu (le cordage)

Details
Fernand Léger (1881-1955)
Composition sur fond bleu (le cordage)
signed and dated 'F.LÉGER 35' (lower right); signed and dated again and titled 'F.LEGER-35 Composition SUR Fond bleu le CORDAGE' (on the reverse)
oil on canvas
38½ x 51.1/8 in. (97.5 x 130 cm.)
Painted in 1935
Provenance
Estate of the artist.
Galerie Louise Leiris, Paris.
Literature
G. Néret, F. Léger, Paris, 1990, no. 232 (illustrated in color, p. 176).
G. Bauquier, Fernand Léger, Catalogue raisonné 1932-1937, vol. V, Paris, 1996, p. 132, no. 869 (illustrated in color, p. 133).
Exhibited
Munich, Haus der Kunst and Zurich, Kunsthaus, Fernand Léger 1881-1955, March-August 1957, nos. 76 and 90.
Tokyo, Galeries Seibu; Nagoya, Galeries Meitetsu, and Fukuoka, Cultural Centre, Retrospective Fernand Léger, 1972, no. 47.
Mont-de-Marsan, Musée Despiau-Wlérick, Fernand Léger, July-August 1974, no. 5.
Colmar, Musée Unterlinden, Unterlinden I: Picasso, Léger, Braque, Gris, Laurens, June-October 1975, no. 25.
Mechelen, Cultureel Centrum, Fernand Léger 1881-1955, October-December 1979, no. 53.
Berlin, Staatliche Kunsthalle, Fernand Léger 1881-1955, October 1980-January 1981, no. 79 (illustrated in color, p. 341).
Basel, Galerie Beyeler, Fernand Léger 1881-1981, October-December 1981, no. 29 (illustrated in color, p. 29).
Cologne, Galerie Gmurzynska, Fernand Léger Schlsselwerke, April-June 1990 (illustrated in color, pp. 74-75).

Lot Essay

"The human body is of no weightier plastic interest than a tree, a plant, a piece of rock or a pile of rope. It is enough to compose a picture with these objects, being careful to choose those that may best create a composition. It is a question of choice on the artist's part. An example: if I compose a picture and use as an object a piece of tree bark, a fragment of a butterfly's wing, and also a purely imaginary form, it is likely that you will not recognize the tree bark or butterfly wing, and you will ask 'What does that represent?' Is it an abstract picture? No, it is a representational picture. What we call an abstract picture does not exist. There is neither an abstract picture nor a concrete one. There is a beautiful picture and a bad picture. There is the picture that moves you and the one that leaves you indifferent. A picture can never be judged by comparison to more or less natural elements. A picture has a value in itself, like a musical score, like a poem. Reality is infinite and richly varied. What is reality? Where does it begin? Or end? How much of it should exist in painting? Impossible to answer? A hand--a leaf--a revolver--a mouth-- an eye--these are 'objects.' The sentiment of beauty is completely independent of our comprehensive faculties- emotion, admiration, belong to the reality of sensibility" (Fernand Léger, 'The New Realism' 1935, reproduced in Fernand Léger, Functions of Painting, London, 1965, p. 111).

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