拍品专文
'In 1936 Pasmore made a complete return to traditional naturalism and realism and paints The Parisian Café [Manchester City Art Gallery]. In 1937 joins with Claude Rogers and William Coldstream (also involved in a similar process) in setting up a school of painting in the Euston Road for the purpose of retrieving a firm objective standpoint in the visual object' (see A. Bowness and L. Lambertini, Victor Pasmore with a catalogue raisonné of the paintings, constructions and graphics 1926-1979, London, 1980, p. 278).