拍品專文
The style of the movement and shape of the case of this remarkable clock is very similar to Flemish work. The evidence on the back of two clear Work Master initial-stamps in the typical German style lends credence to the signature Jhone Smith roughly engraved at the bottom. On close examination the signature appears very likely to be contemporary to the rest of the case engraving.
The date 1610 on the back of the clock, is at least ten years before the shape of the 'English' lantern clock as we know it began to form. This 'house style' originated from the few London makers left after the plague of 1603 and others that learned their trade from Continental sources.
It seems probable that the John Smith who signed this clock was an immigrant clockmaker from Flanders who settled in Lynnee or King's Lynn, which at that time was one of the most important merchant ports and richest towns in England.
The date 1610 on the back of the clock, is at least ten years before the shape of the 'English' lantern clock as we know it began to form. This 'house style' originated from the few London makers left after the plague of 1603 and others that learned their trade from Continental sources.
It seems probable that the John Smith who signed this clock was an immigrant clockmaker from Flanders who settled in Lynnee or King's Lynn, which at that time was one of the most important merchant ports and richest towns in England.