A LOUIS XVI ORMOLU-MOUNTED MAHOGANY GUERIDON
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY GUERIDON

BY ADAM WEISWEILER

Details
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY GUERIDON
By Adam Weisweiler
The circular bleu turquin marble top with ropetwist and drapery border above a bird-cage mechanism with boxwood balusters, above a spirally-fluted turned baluster shaft, on panelled legs and paw feet, later brass castors, stamped WEISWEILER, and JME
30¼ in. (77 cm.) high; 27 in. (68.5 cm.) diam.

Lot Essay

Adam Weisweiler, maître in 1778

This elegant mahogany gueridon, with bird cage or à la lanterne' hinged action and animal-form feet, exemplifies the fashionable goût anglais of the 1770s and '80s, which was promoted by Madame de Pompadour's brother, the Marquis de Marigny, who greatly admired the simple forms and plain beauty of English mahogany furniture. Not only was he buying restrained mahogany pieces through an agent in London, but he was also commissioning furniture in a similar vein from his favoured ébénistes, for example the well known set of mahogany chairs showing a strong English influence, which were supplied by Pierre Garnier for the the dining room of his hôtel in the Place des Victoires in 1778. (A. Gordon with M. Déchery, 'The Marquis de Marigny's Puchases of English Furniture and Objects', Furniture History Society Journal, (XXV), 1989, pp. 86-108).
Adam Weiweiler, who hailed from Neuwied, executed various smaller items of furniture in the goût anglais, including numerous gueridons, but few are known to incorporate the English bird cage action. His collaboration with the marchand mercier Dominique Daguerre, who succeeded Simon-Philippe Poirier at the Couronne d'Or, undoubtedly allowed him to remain at the forefront of the latest fashion. (P. Lemonnier, Weisweiler, Paris, 1983, pp 38-43)

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