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The Hundred Guilder Print
细节
Rembrandt Harmensz. van Rijn
The Hundred Guilder Print
etching with drypoint and burin, circa 1649, second (final) state, on stout laid paper, watermark Fleur-de-Lis, a later, worn impression just prior to the Baillie re-work, with rust-spotting to the figure at left and to the foreground, with margins, mount stained, a small stain in the blank area above the spectators on the right, scattered pale foxing in the margins, a pen and ink inscription in the lower margin 'The state of the plate when it came into Capt. Baillie's hands', traces of glue at the sheet edges verso
P. 277 x 395mm.; S. 300 x 415mm.
The Hundred Guilder Print
etching with drypoint and burin, circa 1649, second (final) state, on stout laid paper, watermark Fleur-de-Lis, a later, worn impression just prior to the Baillie re-work, with rust-spotting to the figure at left and to the foreground, with margins, mount stained, a small stain in the blank area above the spectators on the right, scattered pale foxing in the margins, a pen and ink inscription in the lower margin 'The state of the plate when it came into Capt. Baillie's hands', traces of glue at the sheet edges verso
P. 277 x 395mm.; S. 300 x 415mm.
来源
G. Biörklund (L. 1138c)
出版
Bartsch, Hollstein 74; Hind 236
注意事项
VAT rate of 5% is payable on hammer price plus buyer's premium.