A GEORGE III MAHOGANY SERPENTINE COMMODE
No VAT will be charged on the hammer price, but VA… 顯示更多
A GEORGE III MAHOGANY SERPENTINE COMMODE

IN THE MANNER OF THOMAS CHIPPENDALE

細節
A GEORGE III MAHOGANY SERPENTINE COMMODE
In the manner of Thomas Chippendale
The rectangular top above a column of four graduated drawers flanked on each side by a drawer above a concave-cut corner panelled door, one enclosing two cedar shelves, the other a removable stack of four cedar drawers, with blind fretwork angles and concave cut-corner panelled sides, above a gadrooned moulding, on ogee bracket feet carved with foliage, inscribed in yellow paint 'TB3976', and with paper label inscribed in ink 'Loan 561A', the feet rebuilt with lower section replaced
43 in. (109 cm.) high; 67 in. (170.5 cm.) wide; 29½ in. (75 cm.) deep
來源
Almost certainly supplied to Sir Robert Burdett, 4th Bt. (d.1797), probably for Foremark Hall, Derbyshire, and by descent to
Sir Francis Burdett, 8th Bt., (+), Ramsbury Manor, Wiltshire, sold Dreweatt Neate house sale, 21 May 1986, lot 46
展覽
Bristol, City Museum and Art Gallery, 1951-1986, on view at Blaise Castle Museum, Henbury, Bristol
注意事項
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

拍品專文

Foremark Hall in Derbyshire is one of Chippendale's lesser-known commissions but judging from Sir Robert Burdett's bills to Chippendale between the years 1766 and 1774 it was by no means an insignificant one.
It may have made up part of the bill invoiced by Chippendale on 4 February 1769: 'To Mr. Chippendale on account of Furniture at Foremarke, upholsterers St. Martins Lane London £100.0.0' (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. I, p. 166). A later payment to Chippendale may explain why the Burdett bills are so vague. The bill for 1 July 1769 seems to suggest that Burdett was paying Chippendale in arrears: 'To Mr. Chippendale upholsterer Londn on account of his bill - 314.14.0 he had received before £300 400 still remains due to him to clear his Bill for furniture for Foremarke House'. Anthony Coleridge made this suggestion in his article on the Chippendale furniture supplied to Foremark, and in particular the mahogany bookcase, which formed part of a large commission to furnish the house carried out between 1766 and 1769 (A. Coleridge, 'Thomas Chippendale and Foremark Hall', Furniture History, 1997, pp.136-141). It would appear that Chippendale was supplying furniture in the mid-to late 1760s and, unlike better documented Chippendale commissions, was paid possibly two or three years after the items had been delivered.
The design derives from a pattern engraved in Thomas Chippendale's Gentleman and Cabinet-Maker's Director, 1762, pl. LXIX.