Lot Essay
The Cascade was the cheapest of the three papier-mâché horned gramophones of the early 1930s, and also in one sense the purest, in that the horn incorporates no bends. In the Cascade I, this inconvenient but acoustically ideal shape was disguised in a sideboard, but the II (and, even more so the III, with its 9-foot horn) must surely be the ultimate proof that fitness for purpose does not necessarily go hand in hand with beauty.