School of Bergamo, 16th Century
THE PROPERTY OF A LADY
School of Bergamo, 16th Century

Four Figures making Merry

Details
School of Bergamo, 16th Century
Four Figures making Merry
oil on panel
23 x 36 1/8in. (58.4 x 91.8cm.)
Provenance
Private Collection, Locarno, by c. 1905.
Monsieur P.M.; sale, Pavillon D'Armenonville, Cannes, 16-17 Jan. 1933, lot 177, as Ambrogio de Predis (illustrated), when sold with a certificate from Professor Porta, Milan.
Literature
G. Isarlo, Les peintres de la réalité au seizième siècle, Connaissance des Arts, 35, 15 Jan. 1955, p. 37, fig.2.
G. Isarlo, Les indépendants dans la peinture ancienne, Paris, 1956, p. 34, fig. 5.
B.W. Meijer, Esempi del comico figurativo nel rinascimento lombardo, Arte Lombarda, XVI, 1971, p. 264, fig. 8, as Lombard School.

Lot Essay

Sold with a photostat of a certificate from Dr. Hermann Voss, dated 16 May 1930, as Milanese School, after 1500. He and Isaro both believe the present painting reveals the strong influence of Leonardo da Vinci.
Professor Federico Zeri examined the painting in 1988, and suggested the attribution to Bartolomeo Veneto. He also identified the overt sexual iconography of the composition, and suggested that the subject was probably taken from a literary text, which may have been indicated on the now-effaced cartellino on the figure second from right.

Professor Mauro Lucco, of the University of Bologna, has examined the painting recently and supports the attribution to Bartolomeo Veneto. He dates the painting to 1520 and believes the woman on the right to have been originally painted as a male, and overpainted in the nineteenth century. X-ray photographs are available for inspection to substantiate this theory.

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