A gold and plique-a-jour enamel hanap on jade base

DESIGNED BY FELIX BRAQUEMOND FOR BARON VITTA, THE GOLD BY FALIZE, THE ENAMEL BY ALEXANDRE RIQUET, THE BASE BY TONNELLIER, 1902/4

Details
A gold and plique-a-jour enamel hanap on jade base
Designed by Felix Braquemond for Baron Vitta, the gold by Falize, the enamel by Alexandre Riquet, the base by Tonnellier, 1902/4
The cover in turquoise plique à jour enamel jewelled with red, surmounted by an exquisitely detailed single ear of barley and hung with six single hops, the body decorated in vibrant purple, turquoise green and amber cloisonné and plique à jour enamels with ears of barley and hops, the vessel with concave turquoise plique-à-jour enamel base detailed with a single V, the gold mounts detailed in blue enamel and with central shield with the letter V, set on separate flared gold foot repoussé with foliage and detailed in pale blue enamels, the whole set on jade base carved with acanthus scrolls and the letter V
20¼in. (51.5cm.) height including jade base
The plique-à-jour enamel with fine gold monograms AR for Alexandre Riquet, JV, and B for Braquemond with date 1902, the jade base engraved Tonnellier Sculpsit MDCCCCIV Bracquemond Invenit MDCCCCII
Provenance
Gift from Sir Robert Abdy to the present owner.
Literature
Maurice Guillemot, article in L'Art et Les Artistes, 1906, a discussion of Braquemond's work for Baron Vitta, the present piece illustrated.
Exhibited
Oeuvres de Braquemond, Société Nationale des Beaux-Arts, Salon de 1907, Paris, Cat. No. 199.

Lot Essay

Baron Vitta was a refined and wealthy patron of the Arts at the turn of century. The decorative scheme for his magnificent villa La Sapinière at Evian was a testament not only to his taste but also to his discernment in the commission of Braquemond to orchestrate and direct the project. Braquemond in turn selected specific artists to complete his designs, most notably in the Billiard Room.
The present piece, possibly created for the baron's residence in the Champs Elysées, Paris, demonstrates Bracquemond's command of the craftsmen employed. The workmanship is of the highest quality, befitting the status of its patron; Braquemond selected a little-known yet superbly talented enameller to execute the plique-à-jour, and in selecting Falize Frères to produce the gold work, created an apparently unique collaboration between Falize and Riquet.
This piece will be included in the forthcoming volume on the Falize family, currently in preparation by Katherine Purcell of Wartski.
We are grateful to Ms Purcell for her assistance in preparing this catalogue entry.

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