拍品专文
PUBLISHED:
A. Seeberg, "Disjecta Membra", ACTA: Ad Archaeologiam et Artium Historiam Pertinentia, Institutum Romanum Norvegiae, Vol. I, Universitetsforlaget, 1962, pp. 17-18, pls. I-II where the herm is accepted as being ancient.
For a discussion of the Pseudo-Seneca type, cf. G. M. A. Richter, The Portraits of the Greeks, Oxford, 1984, pp. 191-192, the best preserved being a bronze bust in the National Museum, Naples, inv. 5616. Many proposals have been put forward for the identification of the portrait who is not now seen to be Seneca, one of the most persuasive being that it represents Hesiod.
A. Seeberg, "Disjecta Membra", ACTA: Ad Archaeologiam et Artium Historiam Pertinentia, Institutum Romanum Norvegiae, Vol. I, Universitetsforlaget, 1962, pp. 17-18, pls. I-II where the herm is accepted as being ancient.
For a discussion of the Pseudo-Seneca type, cf. G. M. A. Richter, The Portraits of the Greeks, Oxford, 1984, pp. 191-192, the best preserved being a bronze bust in the National Museum, Naples, inv. 5616. Many proposals have been put forward for the identification of the portrait who is not now seen to be Seneca, one of the most persuasive being that it represents Hesiod.