A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-PUDDING MAHOGANY GUERIDON
This lot has no reserve.
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-PUDDING MAHOGANY GUERIDON

CIRCA 1785, ATTRIBUTED TO MARTIN CARLIN

Details
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-PUDDING MAHOGANY GUERIDON
Circa 1785, attributed to Martin Carlin
The circular grey-veined white marble top set within a tasseled drapery-swag ormolu collar, the panelled frieze with bead and reel borders enclosing a fitted part blue silk-lined drawer with a slide and four compartments, flanked to each side by two further blue silk-lined slides, rotating upon a stop-fluted columnar stem, the circular undertier with a pierced entrelac gallery above a pounced band, opening from the center to reveal two demi-lune hinged compartments with central division and blue watered-silk lining, above a further bead and reel panelled frieze and on turned tapering fluted legs with brass caps and casters, the drawer with indistinct pencil inscriptions, with PUSEY BEAUMONT CRASSIER depository label to the underside
31¼in. (79.5cm.) high, 17¼in. (44cm.) diameter
Provenance
Vicomtesse Vigier, Paris, sold Rheims, Laurin, Bondu, Palais Galliera, Paris, 2-3 June 1970, lot 134.
Special notice
This lot has no reserve.

Lot Essay

Martin Carlin, maître in 1766.

This model of table, intended for storing sewing and embroidery, was conceived by the marchand-mercier Simon-Philippe Poirier around 1770. The prototype, supported upon four cabriole legs such as the one sold anonymously at Sotheby's Monaco, 21-22 May 1978, lot 18, subsequently evolved into those with straight fluted legs circa 1775.

This is confirmed by the table stamped by both Carlin and Pafrat in the Jones Collection at the Victoria and Albert Museum, London, which is embellished with a Sèvres porcelain plaque dated 1775 (illustrated in O. Brackett, Catalogue of the Jones Collection, part I, London, 1930, no.44, pl.28).
A further table of this latter model from the John L. Severance bequest is conserved in the Cleveland Museum of Fine Art, Ohio.

The inventory drawn up following the death of the ébéniste Martin Carlin in 1785 reveals that, at the time of his death, the vast majority of wood held in stock was mahogany, although only two of the twenty-five pieces of furniture recorded were actually veneered in mahogany.

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