FRANÇOIS-HUBERT DROUAIS (Paris 1727-1775)
THE PROPERTY OF A NEW YORK COLLECTOR
FRANÇOIS-HUBERT DROUAIS (Paris 1727-1775)

A girl in a pink dress, gathering roses in a garden; and A boy dressed as Pierrot, holding a bird and nest with chicks, in a garden

Details
FRANÇOIS-HUBERT DROUAIS (Paris 1727-1775)
A girl in a pink dress, gathering roses in a garden; and A boy dressed as Pierrot, holding a bird and nest with chicks, in a garden
the first signed and dated 'Drouais./1770.' (lower left); the second signed and dated 'Drouais, 1770' (lower right)
oil on canvas, oval
37 x 44 in. (94 x 111.8 cm.)
a pair (2)
Provenance
J.R. Herbert Boone.
The Misses E.G., A.K. and B.I. Milligan, Caldwell Hall, Burton on Trent; (+) Christie's, London, 25 November 1960, lots 78 and 79 (2000 gns. and 2100 gns., respectively).
Sale room notice
Please note that the painting of the girl is signed and dated lower right and the painting of the boy is signed and dated lower left.

Lot Essay

Received into the Académie Royale in 1758, Drouais had already made a name for himself the year before with his double portrait of the Comte de Provence and Duc de Berry as Children (1757; Museu de Arte, São Paolo), in which the hallmarks of his style are already in place: a glossy, highly finished manner coupled with a meticulous rendering of sumptuous costumes and a sweet idealization of his sitters' faces. Drouais was at his best in the numerous sentimental portraits of the children of noble families in fancy dress, such as the Comte and Chevalier de Choiseul as Savoyards of 1758 (Frick Collection, New York), and the Comte d'Artois and His Sister Riding a Goat (1763; Musée du Louvre, Paris). The success of these paintings attests to the fashionable affectation of les grands to espouse the virtues of the simple rustic life.

The present pair of paintings, which function as genre images, may well be portraits of an unidentified brother and sister in fancy dress. While they serve as charming depictions of childhood, their attributes -- the little boy capturing a resistant bird, the adolescent girl holding two pink flowers beside her budding breasts -- also relate to the long-standing tradition in northern art of employing children to allegorize awakening sexuality.

A reduced, unsigned oval version (or copy) of the boy holding the bird, but against a plain background, is recorded in the photo files of the Frick Art Reference Library.

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