Gate leading to a Musjed, Chunar Ghur (Abbey 420 no.25; Archer I, pl.24)

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Gate leading to a Musjed, Chunar Ghur (Abbey 420 no.25; Archer I, pl.24)
Mausoleum of Kausim Solemanee, at Chunar Gur (Abbey 420 no.99; Archer III, pl.23)

hand-coloured aquatints, January 1797, June 1803 [the first watermarked 1794], the first print on thick paper mounted on a larger sheet of thinner paper, the second on thick paper. light spotting and surface soiling of margins
P.490 x 650mm.; 480 x 655mm. (2)

Lot Essay

13-16 November 1789: Thomas Daniell commented:"The effect of this gate, at a distance, is grand...and its ornaments, though numerous, ...form the happiest union of beauty and grandeur". Hodges,who had already published a print of this 17th century mosque gate, was impressed by the similarity of contemporary expressions of Gothic and Indian art: "In this all the minor ornaments are the same...so that a person would almost be led to think that artists had arrived from the same school to the same place, to erect similar buildings at the extremity of India and of Europe"

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