Lot Essay
Hodgson's collections of 9,512 bird specimens, consisting of 672 species, including 124 species previously unknown to science, were presented to the British Museum in 1844 and 1858. The associated paintings, drawings and notes which first went to the Museum, were, following Hodgson's wishes, given to the Zoological Society of London in 1874.
Hodgson's animal collections, mainly of skins, paintings, drawings and extensive notes, formed the basis of the 146 papers on natural history that he published between 1826-1858 in scientific journals and which were to have been used for his projected monograph on Himalayan fauna. Hodgson did not receive the support he needed to publish and the book never materialized. Gould had to some extent already tapped the market when he published A Century of Birds from the Himalayan Mountains in 1834 (see lot 174), but Hodgson's work would have included much new information, based on first-hand observations and illustrations, which had the advantage of being done from live or freshly killed specimens. Hodgson's collection of paintings, particularly those of the Darjeeling period, are freer and more natural, and the colours, especially the soft parts (legs, feet, bills and eyes), are more accurate than those produced by Gould's artists.
We are grateful to Carol Inskipp for her additional help in preparing this catalogue entry.
Hodgson's animal collections, mainly of skins, paintings, drawings and extensive notes, formed the basis of the 146 papers on natural history that he published between 1826-1858 in scientific journals and which were to have been used for his projected monograph on Himalayan fauna. Hodgson did not receive the support he needed to publish and the book never materialized. Gould had to some extent already tapped the market when he published A Century of Birds from the Himalayan Mountains in 1834 (see lot 174), but Hodgson's work would have included much new information, based on first-hand observations and illustrations, which had the advantage of being done from live or freshly killed specimens. Hodgson's collection of paintings, particularly those of the Darjeeling period, are freer and more natural, and the colours, especially the soft parts (legs, feet, bills and eyes), are more accurate than those produced by Gould's artists.
We are grateful to Carol Inskipp for her additional help in preparing this catalogue entry.