Rufino Tamayo (1899-1991)
Rufino Tamayo (1899-1991)

Dos amantes contemplando la luna

Details
Rufino Tamayo (1899-1991)
Dos amantes contemplando la luna
signed and dated 'TAMAYO 0-50' lower right
oil on canvas
317/8 x 391/3in. (81 x 100 cm.)
Painted in 1950
Literature
del Conde, T., Tamayo, Américo Arte Editores S.A. de C.V., Mexico City, 1999, p. 64, n.n. (illustrated in color)
Exhibited
Mexico City, Segunda Bienal Interamericana de México, 50 obras de Tamayo, 1960, n.p., n. 29 (illustrated)
Santa Ana, Museum of Modern Art, Rufino Tamayo, Sept.19-Nov.30, 1987, n.p., n.n.
B. Lewin, Rufino Tamayo, B. Lewin Galleries, Beverly Hills, p. 47B, n.n. (illustrated in color)

Lot Essay

Though painted during the same period as Pájaro agresivo, (Lot 11), Dos amantes contemplando la luna was executed in a decidedly different frame of mind. Both paintings share an unusually subdued palate, delicately applied paint, a sense of movement, and a solitary moon in the company of the schematized human figure. But in Dos amantes fear has been replaced by a magnetic mysticism. In the painting the figures have a much fuller quality. The lovers are voluptuous, sculptural with rounded, weighty bases that firmly anchor them to the earth while their arms reach up to embrace the hangnail moon, a sliver of desirable light hovering above. Rather than fleeing the sky the two lovers silently tremble in the still night air thick with the supernatural, worshipping love and the moon. Like Músicas dormidas the painting reveals the quiet joy of sharing. Here Tamayo is at his most expressive. Both lyrical and romantic Dos amantes contemplando la luna resonates with intimacy and a serene delicacy.

More from Latin American Sale

View All
View All