A FOUR-CASE INRO
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A FOUR-CASE INRO

SIGNED KOMA KYUHAKU, EDO PERIOD (LATE 18TH/EARLY 19TH CENTURY)

Details
A FOUR-CASE INRO
Signed Koma Kyuhaku, Edo Period (Late 18th/early 19th Century)
Black lacquer ground; decoration in gold, aokin, silver and coloured hiramaki-e, takamaki-e and togidashi-e, with gold flakes and shell; compartments and risers gold nashiji; shoulders and rims gold lacquer; signed in gold hiramaki- e underneath Koma Kyuhaku saku [made by Koma Kyuhaku]; openwork gilt-metal ojime; wood manju netsuke carved on both sides with concentric rings and with floral decoration in lead, coral, red lacquer and shell
Rosei asleep on one side dreaming of a courtly retinue on the reverse
3 5/8in. (9.2cm.) high
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

This design, a favourite subject in later Edo-period inro, is based on a tale that can be traced back as far as Tang-dynasty China and has probably been known in Japan since the 15th century, when a version was written for the No theatre. The story goes that a struggling scholar called Rosei (in Chinese, Lu Sheng) complained to a Daoist hermit about his poverty. The hermit pulled a pillow out of his bag and told Rosei that if he slept on it he could become as prosperous as he wanted. Rosei followed the hermit's instructions when he next stopped at an inn and promptly had a dream where he enjoyed wealth, women and success, rising to become a senior minister for ten years and eventually dying at a ripe old age. When Rosei woke up he found that the millet that was being cooked for him was not yet ready, because he had only been asleep for a few moments.

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