Lot Essay
The slightly coarse texture both of the seido-nuri ground and of the most 'Zeshinesque' elements of the cover design suggest that this may be a work by a follower or imitator of Zeshin, and this impression is borne out by the rather hesitant calligraphy of the signature.1
1 T. Goke, Bakumatsu kaikaki no shikko kaiga: Shibata Zeshin meihinshu [Lacquer and painting in late Edo and early Meiji: a collection of masterworks by Shibata Zeshin] (Tokyo, 1981), nos. 144-5, an urushi-e screen by Zeshin with a related design.