Lot Essay
The first character of the signature was also used by Ikeda Taishin (1825-1903), the leading pupil of Shibata Zeshin, and it is therefore likely that Taishin was, in turn, Taisai's master.1 This is an example of a new type of lacquer design that made its appearance in the early years of the last century, where plant forms are schematized and depicted as though seen from close quarters but are deprived of any naturalistic context. Tetsusabi-nuri, one of several new lacquer grounds invented by Zeshin in the mid-19th century, is created using charcoal dust, vinegar, and benigara [iron oxide dust].
1 Joe Earle, Splendors of Meiji: Treasures of Imperial Japan, Masterpieces from the Khalili Collection (St. Petersburg, Florida, 1999), cat. no. 199.