Dame Elisabeth Frink, R.A. (1930-1993)
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF ALBERT FINNEY ESQ.
Dame Elisabeth Frink, R.A. (1930-1993)

Leaping man

Details
Dame Elisabeth Frink, R.A. (1930-1993)
Leaping man
signed and numbered 'Frink/6/8' (on the base)
bronze with a beige/green patina
15¾ in. (40 cm.) high
Conceived and cast in 1985
Literature
E. Lucie-Smith, Elisabeth Frink Sculpture Since 1984 and Drawings, London, 1994, SC19 (another cast illustrated).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Discussing Frink's sculptural preoccupation with the male nude throughout her career, Edward Lucie-Smith (op. cit., p. 12) comments: 'For Frink, the male nude was essentially the male animal, with all the potential for violence which this implies. Though her sculptures are not without strong elements of transcendental feeling, on the whole she did not use nude male figures as a means of expressing spirituality. They are, instead, a way of celebrating the physical universe. Their ambiguity (and many are ambigious in mood) springs from Frink's recognition that bodily strength is a source of fear as well as of pleasure to its possessors - pleasure because of unity with nature and natural things; fear that this strength may be overcome by some yet stronger force. What is significant about the running figures if that the spectator does not know whether they are running for sheer delight, rejoicing in the expenditure of physical energy; or whether they are in flight, trying to escape from some danger. Their impassive faces give nothing away, however strenuous the effort they are making'.

More from 20TH CENTURY BRITISH ART

View All
View All