Lot Essay
The design on this dish appears to form part of a series where a central pattern is painted without any frame at all across the centre of an otherwise entirely white dish with a sharply raised edge. The pattern usually encompasses an interior scene with a single or a group of figures involved in leisurely pursuits.
For other related examples, see the pair of dishes from the Charles Russell and Shire Collections of the same size and form, with Yongzheng reign marks but painted with different figure scenes, included in the O. C. S. Jubilee Exhibition, The Ceramic Art of China, London, 1971, Catalogue no. 218; and the larger pair from the Malcolm MacDonald Collection in the Gulbenkian Museum of Oriental Art and Archaeology, University of Durham, illustrated by Legeza, Catalogue, pl. CXXXIII, nos. 361 and 362. Compare also an unmarked version in the Beijing Palace Museum, with a lady in an interior setting, illustrated in Kangxi, Yongzheng, Qianlong, p. 224, no. 53.
(US$35,000-45,000)
For other related examples, see the pair of dishes from the Charles Russell and Shire Collections of the same size and form, with Yongzheng reign marks but painted with different figure scenes, included in the O. C. S. Jubilee Exhibition, The Ceramic Art of China, London, 1971, Catalogue no. 218; and the larger pair from the Malcolm MacDonald Collection in the Gulbenkian Museum of Oriental Art and Archaeology, University of Durham, illustrated by Legeza, Catalogue, pl. CXXXIII, nos. 361 and 362. Compare also an unmarked version in the Beijing Palace Museum, with a lady in an interior setting, illustrated in Kangxi, Yongzheng, Qianlong, p. 224, no. 53.
(US$35,000-45,000)
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