Lot Essay
"Only once after the war did Lubbers work for a longer period in New York. He came to produce work which in no way was related to his prewar oeuvre. It is built up in planes, nearly looking like leaded glass. The colours were glaring, 'American' as it was called in his days. It looks as if, at the end of his life, he tried to go back to the traditions of the Twenties, as now, after so many years, the work looks much more 'pre-war' than what he produced before 1940 and still looks surprisingly modern. It is proof of the unique artistic personality which Lubbers was. He was one of the few who saw the fascinating beauty, but also the horror of the big city." (op.cit. Venema, p. 48)