A RENAISSANCE-STYLE JEWELLED AND ENAMELLED GOLD-MOUNTED ROCK-CRYSTAL BOWL WITH BAIL HANDLE
VAT rate of 5% is payable on hammer price plus bu… Read more
A RENAISSANCE-STYLE JEWELLED AND ENAMELLED GOLD-MOUNTED ROCK-CRYSTAL BOWL WITH BAIL HANDLE

PROBABLY DESIGNED BY REINHOLD VASTERS, AACHEN, CIRCA 1870

Details
A RENAISSANCE-STYLE JEWELLED AND ENAMELLED GOLD-MOUNTED ROCK-CRYSTAL BOWL WITH BAIL HANDLE
Probably designed by Reinhold Vasters, Aachen, circa 1870
The double-spouted vase-shaped rock-crystal body carved in the Milanese style with mythological scenes, the shoulder carved with acanthus foliage and lobes, on circular spreading gold foot enamelled with bands of strapwork and set with ruby collets, the fluted spouts with enamelled collars, the rim mount enamelled with lobes and beading, the richly decorated jewelled swing handle formed as reversed caryatid figures and scrolls, the baluster centre with entwined serpent ring finial, with brass-bound oak and velvet-lined storage case, the top with brass plaque inscribed 'Piece en Cristal de roche avec anse' and label printed 'ER/65 5-3'
10 in. (25.5 cm.) high
Provenance
As lot 1.
Rothschild inv. no. E.de R.289.
Literature
F. Rossi, Italian Jewelled Arts, London, 1957, pl.lxxi.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

Vasters appears to have designed at least two other similar bowls with bail handles which are both now in the collection of the Metropolitan Museum of Art, New York. One of these was bequeathed by Robert Altman and the other is from the Robert Lehman Collection. The designs for both mounts are recorded among the Vasters' drawings in the Victoria and Albert Museum, London. It has been suggested that the carving of the rock-crystal itself of these bowls is Milanese, 16th Century (Y. Hackenbroch, 'Reinhold Vasters, Goldsmith', The Metropolitan Museum Journal, Vol. 19-20, 1984-5, pp. 195-8, figs. 62-6 and 68-9).

The present bowl is extremely interesting in that the inspiration for the handle is clearly taken from a magnificent 16th Century example, formerly in the collection of Louis XIV and now in the Louvre Museum, Paris (J. Durand, The Louvre, Objets d'Art, London, 1995, illus. p. 59).

Vasters' involvement with this piece is further indicated by the black and white enamelled band around the stem, which is very close to the border of the rock-crystal cup and cover for which the designs are extant (see lot 70). Similar mounts are also found on a shell-shaped rock-crystal cup formerly in the Benjamin Altman Collection and now at the Metropolitan Museum of Art in New York (1913, 14. 40. 655) for which designs by Vasters also exist.

More from THE COLLECTION OF THE LATE BARONESS BATSHEVA DE ROTHSCHILD

View All
View All