The Blindness of Tobit: The Larger Plate (B., Holl. 42; H. 252; BB. 51-D)
Details
Rembrandt Harmensz. van Rijn
The Blindness of Tobit: The Larger Plate (B., Holl. 42; H. 252; BB. 51-D)
etching with touches of drypoint, 1651, first state (of two), a good impression, with thread margins almost all round, trimmed on or fractionally within the platemark in one or two places, some pale foxing, remains of old mounting at the reverse right corners, laid at the reverse left edge, one or two associated creases, S. 160 x 133mm.; David in Prayer (B. 41), etching with drypoint, third (final) state; and The Angel departing from the Family of Tobias (B. 43), etching with drypoint, fourth (final) state (3)
The Blindness of Tobit: The Larger Plate (B., Holl. 42; H. 252; BB. 51-D)
etching with touches of drypoint, 1651, first state (of two), a good impression, with thread margins almost all round, trimmed on or fractionally within the platemark in one or two places, some pale foxing, remains of old mounting at the reverse right corners, laid at the reverse left edge, one or two associated creases, S. 160 x 133mm.; David in Prayer (B. 41), etching with drypoint, third (final) state; and The Angel departing from the Family of Tobias (B. 43), etching with drypoint, fourth (final) state (3)