Mario Vargas Llosa, Botero Dessins et Aquarelles, Editions de la Différence, Paris, 1984
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Fernando Botero (born 1932)
Mario Vargas Llosa, Botero Dessins et Aquarelles, Editions de la Différence, Paris, 1984
lithographs printed in colours and in grey and brown, 1984, on wove paper, monograph book with title, text and reproductive plates hors-texte, the justification and set of two lithographs issued separately, signed in pencil and numbered 14/150 on the justification, (the total edition was 226), each lithograph signed and numbered 14/150 in pencil, the full sheets as published, in very good condition, issued in mounts, the whole contained in buff linen-covered box with design on front and title on spine, overall S. 610 x 515mm.; and Miguel Barcelo, Miguel Barcelo, Editions Portemanteaux Press, New York, 1990, lithographs, 1990, on Bunko-Shi paper, title, justification, and set of four, copy number 99 from the edition of 100 (there were also 25 copies reserved for the artist), each lithograph signed and numbered in pencil, the full sheets as published, loose in paper wrapper with title on front, within brown paper-covered boards with title impressed in red on front, linen ties(2 albums)
Mario Vargas Llosa, Botero Dessins et Aquarelles, Editions de la Différence, Paris, 1984
lithographs printed in colours and in grey and brown, 1984, on wove paper, monograph book with title, text and reproductive plates hors-texte, the justification and set of two lithographs issued separately, signed in pencil and numbered 14/150 on the justification, (the total edition was 226), each lithograph signed and numbered 14/150 in pencil, the full sheets as published, in very good condition, issued in mounts, the whole contained in buff linen-covered box with design on front and title on spine, overall S. 610 x 515mm.; and Miguel Barcelo, Miguel Barcelo, Editions Portemanteaux Press, New York, 1990, lithographs, 1990, on Bunko-Shi paper, title, justification, and set of four, copy number 99 from the edition of 100 (there were also 25 copies reserved for the artist), each lithograph signed and numbered in pencil, the full sheets as published, loose in paper wrapper with title on front, within brown paper-covered boards with title impressed in red on front, linen ties(2 albums)