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Erik Satie, Léger comme un Oeuf, Collection Miroir du Poète I, Louis Broder, Paris, 1957 (V. 113)
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Georges Braque
Erik Satie, Léger comme un Oeuf, Collection Miroir du Poète I, Louis Broder, Paris, 1957 (V. 113)
etching printed in black and orange, 1957, on Chine volant, title, text, justification and one etching, with two additional decomposition proofs on BFK Rives, one printed in orange and one in black, the justification signed in pencil, an hors commerce copy aside from the edition of 120, with margins, the full sheets as published, in very good condition, loose in Japan upper wrapper with author's name and title printed in red on front, within grey paper-covered boards and black paper-covered slipcase, the boards and the slipcase in very good condition; and Jacques Villon: Max Jacob, A Poèmes rompus, Collection Miroir du Poète VII, Louis Broder, Paris, 1960 (Ginestet E. 589 and app. 32-36), aquatints printed in colours and one etching printed in black, on Japon nacré, title, text, justification and the set of six (including cover), the justification signed in pencil, copy number IV/IV (there was also an edition of 135 on Rives), in excellent condition; and André Masson: Robert Desnos, Mines de Rien, Collection Miroir du Poète VI, Louis Broder, Paris, 1957 (Cramer 42), aquatints printed in colours, 1957, on BFK Rives, title, text, list of contents, justification and the set of four, the justification signed in pencil, copy number I from the total edition of 130, with margins, the full sheets as published, in excellent condition (books)
each overall S. 177 x 153mm. (3)
Erik Satie, Léger comme un Oeuf, Collection Miroir du Poète I, Louis Broder, Paris, 1957 (V. 113)
etching printed in black and orange, 1957, on Chine volant, title, text, justification and one etching, with two additional decomposition proofs on BFK Rives, one printed in orange and one in black, the justification signed in pencil, an hors commerce copy aside from the edition of 120, with margins, the full sheets as published, in very good condition, loose in Japan upper wrapper with author's name and title printed in red on front, within grey paper-covered boards and black paper-covered slipcase, the boards and the slipcase in very good condition; and Jacques Villon: Max Jacob, A Poèmes rompus, Collection Miroir du Poète VII, Louis Broder, Paris, 1960 (Ginestet E. 589 and app. 32-36), aquatints printed in colours and one etching printed in black, on Japon nacré, title, text, justification and the set of six (including cover), the justification signed in pencil, copy number IV/IV (there was also an edition of 135 on Rives), in excellent condition; and André Masson: Robert Desnos, Mines de Rien, Collection Miroir du Poète VI, Louis Broder, Paris, 1957 (Cramer 42), aquatints printed in colours, 1957, on BFK Rives, title, text, list of contents, justification and the set of four, the justification signed in pencil, copy number I from the total edition of 130, with margins, the full sheets as published, in excellent condition (books)
each overall S. 177 x 153mm. (3)
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