細節
After Richard D.Livesay
The Royal Review in Hatfield Park by Joseph C.Stadler
aquatint part printed in colour and finished by hand, published 1802 by R.Livesay, wove paper trimmed with in plate, some small discoloured marks along top edge, 3 small worm holes to bottom edge, general condition good
S. 22 x 28in (56 x 71cm)
The Royal Review in Hatfield Park by Joseph C.Stadler
aquatint part printed in colour and finished by hand, published 1802 by R.Livesay, wove paper trimmed with in plate, some small discoloured marks along top edge, 3 small worm holes to bottom edge, general condition good
S. 22 x 28in (56 x 71cm)
來源
Allan Piper Collection.
Parker Gallery, London.
Parker Gallery, London.
出版
Allan Piper Catalogue
注意事項
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
REMOVALS
All sold lots not cleared by 2.00pm on Tuesday 2 January 2001 will be removed to the warehouse of:- Cadogan Tate, Fine Art Services, Cadogan House, 2 Relay Road, London, W12 7SJ. Telephone 44(0)20 8735 3700. Facsimile 44(0) 8735 3701. Lots will be available for collection following transfer to Cadogan Tate, every week-day from 9.00am to 5.00pm. An initial transfer and administration charge of £3.20 and a storage of £1.60 per lot per day will be payable to Cadogan Tate. These charges are subject to VAT and an insurance surcharge.
更多詳情
This scene represents a review of the Volunteer Cavalry and Infantry with the Militia of the county of Hertfordshire, at which King George III took the salute at the march past. The King is mounted on his grey mare. He was attended by the Prince Regent and the Royal Dukes of York and Cumberland and acting Commander-in-chief, the Earl of Harrington, all mounted. Queen Charlotte, Princess Augusta, Princess Elizabeth and the Marchioness of Salisbury are in the Latter's open landau. An estimated 10,000 spectators were present. To the right of Hatfield House can be seen the 24 tables at which the 75 officers and 1482 men had their midday meal.Richard Livesay included a self portrait (he is seen side-view in the left foreground), making detailed sketches for his painting. He also included a rear-view of John Whiteman leaning on his stick. This remarkable old man was born in 1689 and died in 1801 thus living in three centuries.