.jpg?w=1)
細節
Early Portraits
Approximately two hundred and fifty photographs and snap-shots of Margot Fonteyn circa 1930s-1950s, majority black and white and pre-1945, by various photographers, a number with photographer's ink credit on reverse, including: five shots by Angus McBean; eighteen by Vivienne, two of these additionally mounted on card and signed and inscribed by photographer on mount in black ink Vivienne, London; sixteen portraits by Paul Tanqueray and a further six, mounted on card and signed by photographer in pencil on the mount; two shots by Iris of Paris, both signed by photographer; another by Gordon Anthony, signed by the photographer in blue ink and additionally inscribed To Margot, With Love, from Gordon, Aug 1940; various subjects include: Fonteyn in her E.N.S.A. uniform, Fonteyn sewing ribbons onto her ballet shoes, Fonteyn ill in bed with Diptheria and various modelling portraits, majority 8x10in. (25.4x20.3cm.) (a lot)
Approximately two hundred and fifty photographs and snap-shots of Margot Fonteyn circa 1930s-1950s, majority black and white and pre-1945, by various photographers, a number with photographer's ink credit on reverse, including: five shots by Angus McBean; eighteen by Vivienne, two of these additionally mounted on card and signed and inscribed by photographer on mount in black ink Vivienne, London; sixteen portraits by Paul Tanqueray and a further six, mounted on card and signed by photographer in pencil on the mount; two shots by Iris of Paris, both signed by photographer; another by Gordon Anthony, signed by the photographer in blue ink and additionally inscribed To Margot, With Love, from Gordon, Aug 1940; various subjects include: Fonteyn in her E.N.S.A. uniform, Fonteyn sewing ribbons onto her ballet shoes, Fonteyn ill in bed with Diptheria and various modelling portraits, majority 8x10in. (25.4x20.3cm.) (a lot)
注意事項
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
更多詳情
See illustration p. 11