拍品專文
The panel is stamped with the brand of the Antwerp Guild of panel makers and the mark of Michel Claessens (1590-1637).
The Return from the Fair was probably an original composition designed by Pieter Brueghel II; Marlier notes that there are no known paintings or etchings by Pieter Brueghel I that would have served as a model (G. Marlier, Pierre Brueghel le Jeune, Brussels, 1969, p. 393). Brueghel I repeated this composition in a number of autograph versions, each with slight differences to the background figures and landscape. The present painting is closest in composition to the two paintings that also feature a broken tree on the right side of the painting (see K. Ertz, op.cit., nos. 1298 and 1300).
The Return from the Fair was probably an original composition designed by Pieter Brueghel II; Marlier notes that there are no known paintings or etchings by Pieter Brueghel I that would have served as a model (G. Marlier, Pierre Brueghel le Jeune, Brussels, 1969, p. 393). Brueghel I repeated this composition in a number of autograph versions, each with slight differences to the background figures and landscape. The present painting is closest in composition to the two paintings that also feature a broken tree on the right side of the painting (see K. Ertz, op.cit., nos. 1298 and 1300).