細節
SAINT BERNARD. Opera omnia, Paris: [no publisher], 1615. 2° (407 x 262mm.), title printed in red and black with woodcut galleon device, wood-engraved head- and tail-pieces, initials (top outer corner of title torn away affecting 2 letters, some spotting and browning), contemporary vellum (rebacked, rubbed and lightly stained), bookplate (2).
SAINT GREGORY. Opera omnia, Paris: Claude Rigaud, 1705. 4 volumes, 2° (430 x 270mm.), half titles, engraved coat-of-arms on titles (some fraying and mainly marginal browning, occasional spotting, marginal waterstain to title of vols. III and IV), contemporary vellum, burgundy morocco lettering-pieces (chipped), bookplate of Joannes Baptista Molin in vols. II and III, bookplate (3). Brunet II, 1723.
With Saint Ambrosius's Opera (Paris, 1569), Saint Gregory of Nazianzus's Opera omnia (Paris, 1778-1842, 2 vols.) and Natalis Alexander's Historia ecclesiastica (Venice, 1778, 10 vols. in 5), and 6 other works bound in 8 vols. (21)
SAINT GREGORY. Opera omnia, Paris: Claude Rigaud, 1705. 4 volumes, 2° (430 x 270mm.), half titles, engraved coat-of-arms on titles (some fraying and mainly marginal browning, occasional spotting, marginal waterstain to title of vols. III and IV), contemporary vellum, burgundy morocco lettering-pieces (chipped), bookplate of Joannes Baptista Molin in vols. II and III, bookplate (3). Brunet II, 1723.
With Saint Ambrosius's Opera (Paris, 1569), Saint Gregory of Nazianzus's Opera omnia (Paris, 1778-1842, 2 vols.) and Natalis Alexander's Historia ecclesiastica (Venice, 1778, 10 vols. in 5), and 6 other works bound in 8 vols. (21)
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