An elm doughbin, probably East Anglia, early 19th Century
No VAT will be charged on the hammer price, but VA… Read more
An elm doughbin, probably East Anglia, early 19th Century

Details
An elm doughbin, probably East Anglia, early 19th Century
The removable lid enclosing a divided interior (later divide), with tapering sides, applied moulded front apron and ring-turned splayed legs -- 36in. (91cm.) wide, 30in. (76cm.) high, 16in. (41cm.) deep
See Illustration
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. All lots sold not cleared by 1.00p.m. on the Thursday following the sale will be removed to the warehouse of: Cadogan Tate Ltd., Fine Art Services Cadogan House, 2 Relay Road London W12 7JS Telephone: 44 (0)20 8753 3700 Facsimile: 44 (0)20 8753 3701 Lots will be available for collection following transfer to Cadogan Tate on the Friday following the sale and every weekday from 9.00 a.m. to 5.00 p.m. PLEASE NOTE THAT THERE WILL BE NO CHARGE TO PURCHASERS WHO COLLECT THEIR LOTS WITHIN ONE WEEK OF THE SALE. On the Thursday one week after the sale, a transfer and administration charge of £18.50 per lot will be payable and a storage charge of £3.20 per lot per day will then come into effect. These charges are payable to Cadogan Tate and are subject to VAT and an insurance surcharge.

Lot Essay

The inverted tulip shape forming part of the leg is a common turnery motif in East Anglia. See Dr.B.Cotton, Cottage and Farmhouse Furntiure in East Anglia, an exhibition catalogue, 1987, figure 39/2B.
In the same exhibition catalogue the author quotes Loudon, writing in 1833, who comments that the "kneading trough" was divided and used for storage in one half and for kneading in the other. The bin can be used as a useful table as well as for bread making. Loudon said of such items of furniture that 'the cover when on the trough serves as a table or ironing board... the board forming the cover ought to be an inch and one half thick and always in one piece so that neither dirt nor dust may drop through the joints... no part ought to be painted because both trough and cover when used for making bread will require frequent scouring to keep them clean; and if the board is used for ironing the heat of the iron would blister the paint and cause it to stick to the cloth or blanket used to cover it' (page 301).

More from Oak, Country Furniture, Folk Art and Works of Art

View All
View All