[TYPOGRAPHY -- HISTORICAL]. CLAUDIN, Anatole. Documents sur la typographie et la Gravure en France, aux XVe et XVIe siecles. London, 1926. 4o, facsimile plates loose as issued in quarter-cloth portfolio and printed boards (chipped, rubbed). -- LAMBINET, Pierre. Recherches Historiques, Littéraires et Critiques, sur L'Origine de L'Imprimerie. Bruxelles, [1799]. 8o. Quarter-sheep and marbled boards (rubbed). -- Origine de L'Imprimerie D'Apres les Titres Authentiques. Paris, 1805. 2 vols. Contemporary boards (rubbed, spines chipped). -- LEPREUX, Georges. Gallia typographica, ou repertoire biographique et Chronologique. Paris, 1909-13. 7 vols., including supplements. 8o. Original printed wrappers (chips, tears, vol. 4 split at spine, some covers loose). -- DUPONT, Paul. Histoire de L'Imprimerie. Paris, 1854. 2 vols. 8o (some foxing). Contemporary morocco gilt, original wrappers bound-in, g.e. (unevenly faded, rubbed). -- VAN WESTREENEN, W.H.J. Verhandeling over de Uitvinding der Boekdrukkunst. The Hague, 1809. 8o. Contemporary marbled wrappers (upper joint cracked, rubbed). -- DAUNOU, Pierre Claude Francois. Analyse des Opinions Diverses sur L'Origine de L'Imprimerie. Paris, [1803]. 8o (foxing). Contemporary boards (rubbed). -- SCHOEPFLINI, Jo. Danielis. Vindiciae Typographicae. Argentorati, 1760. 4o. Original boards (upper hinge cracked, chips especially to spine, rubbed). -- REIFF, Aemilianus. De originibus typographicis programma academicum. Ingolstadt, 1790. 2 vols. bound in 1. Small 4o. Original wrappers (creased, corners dog-eared, rubbed).