A PAIR OF EMPIRE ORMOLU AND BRONZE CHENETS
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A PAIR OF EMPIRE ORMOLU AND BRONZE CHENETS

NOW WITH A LATER ADJUSTABLE PANEL FORMING A FENDER

Details
A PAIR OF EMPIRE ORMOLU AND BRONZE CHENETS
Now with a later adjustable panel forming a fender
Each with a recumbant lion on a rectangular plinth with thunderbolt and Apollo mask mount, on a stepped rectangular base, the panel with a conforming mount, the central panel probably 19th Century
The chenets: 12 in. (30.5 cm.) high; 12½ in. (32 cm.) wide; 4½ in. (11.5 cm.) deep
The panel: 5¼ x 39¾ in. (13.5 x 101 cm.) (2)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The ormolu-enriched fender incorporates a pair of 'chenets' in the late 18th Century French 'antique' or 'Egyptian' manner and displays models of the Egyptian lions of the Capitoline Museum. Their 'altar' pedestals are enriched with bas relief trophies, symbolising the Element of Fire, and comprise bacchic masks framed by Jupiter's Egyptian-winged 'fulcrum' or thunderbolt.
Related 'sphinx' chenets were executed by the Parisian bronze-founder, Pierre Philippe Thomire, after models by the sculptor Louis Simon Boizot, while this same 'lion' model featured on chenets supplied in 1806 by André-Antoine Ravrio (d. 1806) for Fontainbleau Palace, and on a fender supplied in 1805 by the bronze-founder Claude Galle for the Grand Trianon, Versailles (J.-P. Samoyault, Pendules et bronzes d'ameublement entrés sous le Premier Empire, Paris, 1989, p. 255, cat. no. 254 and H. Ottomeyer, P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, figs 5.4.6. and 5.4.5.). A related fender was also introduced by Samuel Whitbread II (d. 1816) in the French-fashioned apartments created for Mrs. Whitbread at Southill, Bedfordshire. It was listed as a 'very rich Metal fender with bronze Lions and Ormolu Ornaments', in the 1816 inventory (F.J.B. Watson, 'The Furniture and Decoration', Southill. A Regency House, London, 1951, p. 27, fig. 23).

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