A GEORGE III BRASS-MOUNTED ROSEWOOD, HAREWOOD AND MARQUETRY SERPENTINE COMMODE
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A GEORGE III BRASS-MOUNTED ROSEWOOD, HAREWOOD AND MARQUETRY SERPENTINE COMMODE

IN THE MANNER OF JOHN COBB

Details
A GEORGE III BRASS-MOUNTED ROSEWOOD, HAREWOOD AND MARQUETRY SERPENTINE COMMODE
In the manner of John Cobb
The shaped crossbanded top inlaid with a flaming urn surrounded by scrolling foliage above two drawers inlaid with a flowering basket surrounded by foliate scrolls, above a shaped apron inlaid with an anthemion, flanked by acanthus, between keeled angles mounted with pierced rockwork, the side panels inlaid with a swagged urn, on tapering legs with pierced foliate sabots, one back leg spliced, the mounts originally gilded, the handles probably original and numbered
30½ in. (77.5 cm.) high; 42½ in. (108 cm.) wide; 19¼ in. (49 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The 'vase' inlay of this French-fashioned and ormolu-enriched commode reflects the George III 'Etruscan' style introduced to bedroom apartments of the 1760s by the architect Robert Adam (d. 1792). Evoking the concept of sacrifices at Love's alter in antiquity, an enflamed 'cassolette' vase, wreathed by flowered 'arabesques' of Roman foliage, is inlaid in trompe l'oeil on the commode's serpentined top, and wrapped by a golden ribbon-band.

Adam, like other mid-18th Century 'Grand Tour' connoisseurs, was enthused for antique 'vases' by Giovanni Battista Piranesi (d.1778), whose Diverse Maniere d'Adornare I Cammini, 1769, helped increase the popularity of 'vase' decoration. The decorative use of Roman and Grecian vases was celebrated as the 'Etruscan' style by Robert and James Adam in their Works in Architecture, 1773.

This commode's 'cassolette' top as well as its ormolu cartouches of Roman acanthus also feature on a pair of related commodes sold by Rt. Hon. the Earl of Powis, C.B.E., Powis Castle, Wales Sotheby's London, 30 March 1962, lot 171, and again at Christie's New York, 19 April 1986, lot 413. Similar tablets of urns and baskets also feature on a 'commode' chest-of-drawers, that may have once been at Levens Hall, Westmorland and is now in the Lady Lever Art Gallery. The Powis and Levens commodes are discussed in L. Wood, Catalogue of Commodes, London, 1994, no. 17.

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