Claude-Joseph Vernet (Avignon 1714-1789 Paris)
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Claude-Joseph Vernet (Avignon 1714-1789 Paris)

A Mediterranean port at sunset with a Levantine couple on an outcrop and fishermen unloading their catch

Details
Claude-Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean port at sunset with a Levantine couple on an outcrop and fishermen unloading their catch
signed and indistinctly dated 'J. Vernet f. (1788?)' (lower left)
oil on canvas
17½ x 24 in. (44.5 x 61 cm.)
Provenance
with Thos. Agnew & Sons Ltd., London, where bought by the family of the present owner.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Born in Avignon, Vernet went to Rome at the age of twenty to become a history painter. He soon took to landscape painting after discovering the art of Claude Gellée, Salvator Rosa and Andrea Locatelli, and decided to join the studio of Adrien Manglard, a successful French marine painter. He travelled to Naples in 1737 and on many other occasions. By 1740, Vernet had estblished a reputation as a painter of marines, and French diplomats as well as English Grand Tourists were to be among Vernet's most consistent patrons, the latter no doubt encouraged by Vernet's English wife, Virgina Cecilia Parker, the daughter of a captain in the papal navy, whom he married in 1745.

Official recognition in his own country began when he was approved by the Académie Royale in Paris in 1746, which enabled him to exhibit at the Salon that year for the first time. When Abel-François Poisson de Vandières, later marquis de Marigny and Directeur des Bâtiments, made his educational tour of Italy in 1750, he and his party visited Vernet's studio in Rome. It was on the marquis' initiative that, in 1753, Vernet was summoned back to France to paint the Ports de France, one of the most important royal commissions of Louis XV's reign. He continued working on this commission until 1765. He continued in his later years to repeat the themes of his earlier career. The date on this picture seems to read 1788, which would make it one of his latest works, and the same date as the Mediterranean harbour at sunset by Vernet, sold in these Rooms, 10 July 1998, lot 43 (£463,500).

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