A Louis XV style ormolu-mounted tulipwood and mahogany marquetry and parquetry bureau a cylindre
THE PROPERTY OF A LADY
A Louis XV style ormolu-mounted tulipwood and mahogany marquetry and parquetry bureau a cylindre

BY FRANÇOIS LINKE, PARIS, CIRCA 1900

细节
A Louis XV style ormolu-mounted tulipwood and mahogany marquetry and parquetry bureau a cylindre
By François Linke, Paris, Circa 1900
The upper section with shaped gallery with fretwork cresting, above three frieze drawers centred by a foliate-cast escutcheon, the cylinder top inlaid with cube parquetry and centred by foliate marquetry within a cartouche-shaped frame, the interior with pull-out gilt-tooled dark-green leather-lined writing surface and fitted with three compartments over three drawers and a further recess, with parquetry back and bombé sides, the lower section with central recessed drawer with 'crab' mounted escutcheon, flanked by a pair of shaped drawers, on the right with compartmented lift-out tray and locking compartment with sliding top, on shaped tapering legs headed by foliate and flower-cast clasps, on scrolled feet
46in. (116.9cm.) high; 54in. (137.2cm.) wide; 25in. (63.5cm.) deep

拍品专文

François Linke (d. 1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875. Six years later he established independent ateliers at 170 rue du Faubourg St. Antoine and later showrooms at 26 place Vendôme. Initially producing furniture derived from styles popular during the ancienne régime, by the end of the 19th century Linke had already established a reputation as being a master of high quality, individualistic furniture. However, with a huge display, placing his extravagant pieces in room settings and winning the Medaille d'Or for his Grand Bureau, his participation in the 1900 Paris exhibition was to be the pinnacle of his career and prompted critics, such as Charles Dambreuse, to comment: "L'Exposition de la maison Linke est le gros événement de l'histoire du meuble d'art en l'an de grâce de 1900" (see Charles Dambreuse, L'Art Industriel à l'Exposition de Meuble de Style - M. F. Linke). Linke's international acclaim following the 1900 exhibition afforded him a high degree of financial stability and this success allowed him to pursue new and further distant markets by exhibiting at other international shows, such as the 1904 World's Fair in St Louis, in Liège the following year and at the Franco-British exhibition in London in 1908. The most exuberant of Linke's pieces combined the new Art Nouveau style, championed in Paris by Samuel Bing, with what Dambreuse expressed as "la plus exquise floraison du style Louis XV", popularized by the writings of the Goncourt Frères.