AN ATTIC RED-FIGURE STEMMED KYLIX, AKIN TO THE EARLIEST WORKS OF THE COLMAR PAINTER
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AN ATTIC RED-FIGURE STEMMED KYLIX, AKIN TO THE EARLIEST WORKS OF THE COLMAR PAINTER

EARLY 5TH CENTURY B.C.

Details
AN ATTIC RED-FIGURE STEMMED KYLIX, AKIN TO THE EARLIEST WORKS OF THE COLMAR PAINTER
EARLY 5TH CENTURY B.C.
The tondo with a naked figure of a crouching Seilenos, with pointed ears, wearing a foliate fillet, the upper part of his body turned backwards to grapple with a long-horned goat with human face attacking the satyr's tail (forepart only appearing), a Greek inscription in the field, repaired, part of rim and small areas restored
9¼ in. (23.5 cm.) diam. across handles
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

PUBLISHED:
J. D. Beazley, Attic Red-Figure Vase-Painters, II, 2nd ed., Oxford, 1963, p. 1593, no. 37 bis.

Cf. M. Bieber, The History of the Greek and Roman Theater, Princeton, 1971, p. 16, fig. 50 for a similar subject on a black-figure lekythos in Berlin. Bieber comments "Like all mystery religions the Dionysiac mysteries promised purification, teaching, and the vision of godhead ... The vision of the godhead was attained not through the guidance of any official hierarchy but through direct union with the divine. The mortal men and women became members of the holy thiasus of Dionysus, animals of his holy herd (thiasus), a goat...: 'I fell, a small goat, into the milk; I, who was a man, became a god'; 'Happy and blessed one, thou shalt be a god instead of a mortal' - so the Orphic-Dionysiac tablets of gold found in South Italy are inscribed. Perhaps such a goat, who had been a man, is represented on the black-figured lekythos of the early fifth century in Berlin. A goat with a human face is surrounded by sileni. One holds his horn, while the other seated on a rock is holding a writing tablet and a stylus."

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