Details
A FINE GILT-BRONZE FIGURE OF BODHISATTVA
MING DYNASTY

The figure cast seated with legs crossed in vajrasana, one hand held across the mid-rif with the palm upturned, the other raised in vitarka mudra, the hair worn up-swept behind a diadem and divided into two braids falling on either side of the shoulder beside pendant earrings, adorned in robes chased with a floral pattern along the garment edges, the bare chest exposed to reveal beaded jewellery chains suspended from a torque
18 3/4 in. (47.6 cm.) high

Lot Essay

Compare with a related figure of Ming dynasty date but of a smaller size (27.9 cm. high) in the Asian Art Museum of San Francisco, illustrated in Hai-wai Yi-chen, Chinese Art in Overseas Collections: Buddhist Sculpture, vol. II, p. 191, no. 181. Ming dynasty Buddhist sculptures of this type appear to be formulaic in the hand gestures, inner robes tied across the mid-rif and seated with crossed legs on a cast circular base. Compare with two other figures with similar iconography: the first, a seated Budda in the Virginia Museum of Fine Arts; and the other, a Bodhisattva in the Denver Art Museum, both examples are illustrated ibid., vol. I, p. 181, no. 167 and p. 191, no. 176, respectively.

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