EDVARD MUNCH
Tax exempt. PROPERTY OF THE HARRY-ANNA INVESTMENT FUND INC. SOLD TO BENEFIT THE FLORIDA ELKS CLUB YOUTH CAMP INC. AND THE FLORIDA ELKS CHILDREN'S THERAPY SERVICES INC.*
EDVARD MUNCH

Angstgefühl (S. 61)*

Details
EDVARD MUNCH
Angstgefühl (S. 61)*
lithograph in black and red, 1896, on heavy cream wove paper, Schiefler's II state (of II), signed in pencil, numbered '50', with margins, three repaired tears at the left sheet edge (one extending 1½-in. into the subject), pale light- and mat staining, a crease (reinforced) at the lower left corner, tiny losses at the upper right corner, a stain in the right margin, minor surface soiling restricted to the margins, otherwise in good condition, framed
P. 16¼ x 15¼ in. (413 x 386 mm.)
S. 17½ x 17 in. (443 x 430 mm.)
Special notice
Tax exempt.

Lot Essay

In 1896, Munch rendered the theme Angstgefühl (Anxiety) in both woodcut and lithographic variations. He executed this lithograph first, then translated the sinuously brushed art nouveau lines of the sky and the landscape into the deliberately crude gouge, knife, and chisel marks of the woodcut. About the scene which inspired this composition, the artist wrote, "Nature was colored like blood and people passed by...like priests." The incident that Munch described took place on a walkway high above the Kristiania fjord, where the famous Scream incident also occurred. In this color lithographic version, Munch emphasized the sky by rendering it in a bloody red, a dramatic foil for the black and white mask-like faces of the ravaged crowd which advances ominously toward the viewer. Their faces suggest the theme of the essential loneliness of the individual in the crowd, and the reverberating lines of the landscape beyond them allude to the agorophobia that so haunted the artist. In the painting upon which this print is based, some of the characters were identifiable as Munch's friends; a woman in the lower right foreground was said to be his married mistress, Milly Heiberg.

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